Stephanie Taylor is a visual historian: both a multimedia artist and an essayist who investigates how humans relate to both location and landscape. Her large-scale installations, both cultural and corporate, appear across the United States and internationally. With a degree in history and a master's in sculpture, she relishes the research process behind every project, a hunt for hidden meaning below the surface of what's visible.
To understand what she sees, Taylor writes. For eight years, Taylor was an Op-Ed contributor to the Sacramento Bee with a series, California Sketches, art and essay. She co-authored Water: More or Less, a history of water in California, and Simple Objects, about the 2019 Camp Fire in Paradise. She edited and illustrated Frankenstein: A Graphic Interpretation with the Sacramento Public Library. May Woolsey's Hidden Trunk, a pictorial history, is her first book for the Sacramento History Museum, and she's currently writing a biography of photojournalist Margaret Bourke-White for Bloomsbury's "Women Making History" series.
Current project: May Woolsey's Hidden Trunk, a book
Photographic essays: Architecture & Industrial
Photograph essays: Industrial Agriculture
Photographic essays: Natural Systems
Photographic Essay: Fire-A Contemporary Archeological Dig
Sculpture & Installations
Murals & Paintings: A Selection