The process of writing is very much the same as the process of making an installation or painting for me. With a deep interest in history and the role of location, I’ve always been fascinated with the research phase of projects. I collect information for writing in the same way, until my mind is overflowing with incomprehension. Then, like it’s all contained in a blender, I turn on the switch, swirling all madly until elements float to the top. It’s from all those years in advertising, I believe; what’s the most important part of this story, what’s the best image to tell a story. I’ve wanted to make books forever.
California State Library names Water: More or Less, Book of the Week, with this review:
“Water. In California water is life, and our cycles of drought and flood, of water wheeling and dealing are deadly serious business. In Water More or Less, Rita Sudman and Stephanie Taylor have responded to the all-consuming nature of this relationship, by assembling a diverse collection of expert perspectives on what water is to Californians. In this book, you can fish with oystermen about to lose their livelihood or read an account of how the peripheral canal initiative failed from the perspective of a water policy-maker. You can even walk an experimental forest with an ecologist, all while enjoying Taylor’s luminous artwork. If you are a Californian or a westerner, or if you’ve benefited from California’s agricultural or economic abundance, this book is a must-read.”
Taylor has published 35 essays and other images for Sacramento Bee: A selection
Stealing Honey, published 9-10-18
A celebration of 200 years of Frankenstein: A Graphic Narrative
A graphic interpretation of Mary Shelley’s 1818 edition: design and art by Taylor, in collaboration with the Sacramento Public Library. This is a unique combination of Shelley’s original text, combined with dynamic art to celebration the 200th year of publication.
Now available on Amazon and from the Library
A selection from Water: More or Less
Water and Oil, a selection by Stephanie Taylor
18 years in LA, I had little consciousness of oil, not even while driving La Cienega over hills graced with nothing but pumpjacks. Saber-toothed tigers at bubbling La Brea tarpits, pumps camouflaged in lush Beverly Hills gardens, I lived at the beach just south of a huge Shell refinery. Never gave oil a thought. All this oil. How was it created, how is it extracted, and how does it affect water?
A selection: The Coast Range on the west side of the Great Central Valley, used to lie deep within the ocean, uplifted, bringing diatomite rock, salt and minerals, including selenium. This is a living desert of mechanical creatures, poking the earth, conveying fluids. These are some of the top oil producing fields in the United States. Fields called Buena Vista, Midway Sunset, Elk Hills, Belgian Anticline, San Emidio Nose. Vertical and horizontal structures, pumpjacks and pipes shiny in the sun, transport oil, gas and water 24/7. It appears as a landscape devoid of people, there are so few about.